Stephanie is my oldest and dearest friend, my soulmate, an artist and printmaker extraordinaire who has lived on the other side of the world in Melbourne for many years. I have known her since we were five years old and friends do not get more special than this one.
I want to make her a birthday present - she isn't into bling or sparkly, so I decide on a pendant necklace which I will forge, hammer and oxidise.
I have in mind a particular bead but I cannot get it locally, and in fact what is in my mind probably doesn't exist. I want a cream rondelle, about 16mm, with a cracked glaze appearance. I find some magnasite beads that are almost right but have left it too late to order from abroad. I settle for a pandora style glass bead instead in a yellowy clear glass from the Southampton beadshop
First I make some links for the chain. I wind some 0.8mm round wire around a tool handle and cut them using pliers into individual links. I solder them closed after filing the ends square. I use too much solder and find it difficult to file it smooth. Still I am learning by my mistakes.
Then I make them slightly oval by pushing them onto my burnisher blade before I flatten and hammer them. It is time consuming and I know I can't make the whole chain like this, so I have bought some silver chain to attach to the hand forged links.
I really struggled to find the right sort of chain sold loose. I wanted something simple, plain oval links, to mimic the shape of the hand forged ones. Had to compromise with some plain chase chain 25/11 from Cooksongold.com.
I join the handforged links with hand made sterling silver jump rings which I had great difficulty soldering. I messed up so many. I had stupidly used extra easy solder on the hand forged links so had to use the same again on the jump rings. I made many mistakes, too much solder, not enough filing to make ends meet before soldering, missing the joints, soldering the jump rings to the other rings, not enough flux............ sheesh! I bought some ready made jump rings and silver solder paste which made the job easier, though I still managed to mess some up. Luckily this is a rusticy piece so I can get away with a certain amount of mistakes.
I make some bead caps using my disc cutter and drill a hole in them using my cougar drill (charity shop purchase). Can't see the finished article in my mind at this point but have to keep going. I ball up the end of some 1.0mm wire to make the clasp and other findings. I hammer the ball of one to flatten it slightly, and with the other I make a clasp using my round nosed pliers. Again, flatten and hammer...
Because the bead has a large hole I need to somehow keep the centre pin in place otherwise the beadcaps will move around. I wrap thin copper wire round and round the pin so it pads out the hole.
Finally I join the pieces together with jump rings which I solder (getting the hang of it now - no filing needed before or after!).
I spend ages sanding and polishing - my nails are broken, my fingertips sore, but its in the name of love, so I put up.
Final step, I dip it in liver of sulpher (pooey) to oxidise it, and then polish it with car polish to bring back some of the silvery shine.
I like it, it's not perfect - but a true labour of love.
I wrap it in handmade paper, with 'Sweep', a glove puppet that she has coveted for years, and that has been up in my loft since forever.
...and in the card I tell her about this blog!
What an amazing friend you are - a labour of love indeed!
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